Wednesday, March 2, 2011
Sunday, February 27, 2011
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Who painted the sign on the front of the most ' high promontories, who marked with a white cross on the side of the rocks, Who washes with low-fat milk large casemates of shadow at the foot 'of traffic lights, and is' a place of rubble and urns for the delectation of the wise who take shelter, for the rainy season, with people driving and cabotage - the keeper of a temple at dead on a tip of the peninsula (and it 'a spur of stone gray-blue, or red sandstone on the top board); Who 'wrapped on the maps, the race closed cyclone, which He will light, on winter nights, the big tracks sidereal, or those who dream unravels in many other laws of transmigration and connecting; who seeks to spot soundings, the red clay of large funds to shape the face of his dream, Who gives, in port, replacing the compass for the navigation of pleasure ... Who knows the posture and the thigh of grip of the major submarine cables; Who cares in the city ', in a site of ossuaries and sewers (and it' s just peel discovery of the earth), readers of the instruments of pure Seismo. Whoever is in charge in time of invasion, the water regime, who inspects the large basins of ephemeral filter tired of copulas, Who preserves the riot, oroverdi behind bars, large greenhouses Botanical Garden with the fetid; the Great Offices of the Mint, the longitudes and Monopoly, and storage of lights, when lying fables, lanterns (..) I Phone Slient Button Spoilt
the Italian school system is Gentile: kitchen science is low, technical stuff, the elite has to learn Latin. So we have the habit of doing math even more Latin in high school science.
Why?
"The elementary school children love science and are very good. Perceive mathematics as a game, which may be useful. Then, at the beginning of the school breaks, is pleased that the sense of utility. It is done intentionally. "
An anti-science conspiracy?
"No, silly belief that we must teach the formal language of mathematics.
that we apply to reality is a diminutive. So the rods become "segments," to give an example. With the illusion of teaching abstract reasoning. But ending nell'astruso. The sciences are practical matters in elementary school, high school and become an abstract narrative. No longer an experiment, do not look any more. "
Instead?
"But I started to divide the total hours per week in two parts. On the one hand we must certainly begin to teach the grammar of mathematics and science. But at the same time we need to invest sufficient time to solve real problems using the rules learned. Needless to infinite expressions of First Instance without knowing which way to look for something that we know not having all the necessary information. "
But the issues become.
"No, they are problems with unreal situations invented specifically for use by the rules. Instead we must do the opposite: use math to read a chart, to pay for an account, even to play the lottery. To live is to use percentages: children learn to effortlessly fractions but they go on tilt before percentages that are fractions on the basis of 100, because no one makes you use. The mathematics used to understand what data, what information we need and organize them in a logical way to understand the world and the Governor many times in our lives. "
The child scientist is transformed into a scientific illiterate high school.
"Since middle school dominates narrated a vision of science. Book learning photosynthesis, but the plants are out there. Science is the experimental method by which we learn to read the world, but our kids to school to learn more to read the grammar of a scientific phenomenon, from photosynthesis to entropy, and to report. "
Instead?
"But it would be nice to have a working group that worked for months to build an experiment from a principle of physics or cellular biology or chemistry. Study the beginning and sets up the experiment. Then maybe a video clip, and it puts the Internet. "
But there are laboratories.
"Yes, and theaters, where students go and look, at best, the professor who runs an experiment abstruse This should include a scientific principle: still grammar and narrative rather than reality. "
What to do?
"In recent years, many teachers in many schools have done extraordinary things. Remain isolated experiences. The school can be changed only with small steps and only focusing on teachers and principals who want to get busy. "
Saturday, February 26, 2011
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The flip side of mobile payment .
How . With the help of a programmer, the two have worked to create Square: a magnetic reader in like a white square (2.5 centimeters) to be inserted in the audio jack of your smartphone. Then I moved on to writing the software and its application for the iPhone. The system works extremely simple: After "crawling" the paper, the reader turns the magnetic data into electrical signals, the application at this point, translates the information in an encrypted file and mail servers to Square. And 'here, finally, that the transaction is completed through the global network. The person making the purchase is required to sign directly on the phone, and then decide if you like a receipt via e-mail or text message. Create an account and http://www.repubblica.it/tecnologia/2011/02/25/news/pagamenti_square_cellulare-12823085/ it is equally easy: just download the application by the Apple App Store or (new in the last days) from the Android Market, install it on your device, accept the terms of service and enter some personal data. Et voila: the box arrives by mail within 48 hours, but right now you can accept payments by typing on the iPhone or the Droid few, essential information on the paper and its owner.
costs. Of course, convert to Square has its cost: the system, in fact, "eat" 2.75% of each transaction, a figure that includes the company's earnings and reimbursements for companies credit cards. In absolute terms, the cost may seem higher than the activation and operation of a terminal "traditional", but - at least in the U.S. market - it is not so predictable. "There are several reasons why ordinary people do not accept credit cards," explains Dorsey. "The payment system is extraordinarily complex, opaque and expensive. First you have to apply for a merchant account through a bank or an independent organization. The only question involves a credit check, which can take up to one week. Then you have to buy the 'hardware, and for wireless equipment is around $ 900. Not to mention the monthly cost: between 15 and $ 25, even if customers do not buy anything. "For all these reasons, adds Keith Rabois, COO of start-up and former business manager for PayPal and LinkedIn," agrees traders Square is a way to enhance their business " .
[http://www.repubblica.it/tecnologia/2011/02/25/news/pagamenti_square_cellulare-12823085/]
Sunday, February 20, 2011
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The easy historical parallel with the barbarians threaten the empire of civilization affect the argument; the second period of barbarism uninterrupted could well be the empire of civilization itself.
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convideo This is the context: just started sharing the bright screen of the monitor to the television, including ultrasound and x-rays, ATM, room vigilant in à - as if someone today would think really seriously about to give a name to a place such as advertising this fiction / feature heavy that you are given in the languages \u200b\u200bof persuasion, (..) "
You are taking fully into the social relations between people and places, relying on energy visionary media, working in testing now close to the computer network in an environment that we ourselves strongly designated so far as television: had to use this, the world of television could be recreated anywhere, for that, the pomposity telematics. Here are our User Loosetv
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Many of his films tell stories of love ... "I do not think there is a better person love. I think if you propose to filmmakers to shoot "the bridge over the River Kway" would both have the same film. But they were proposed to and the subject "brief encounter" would make each a different movie. " • Checoss have in common the female characters in his films? "Flann in common is the woman to take the lead without losing their femininity." His films are ispirsti by viaediunadonaa7 "but not the face of the actress from the face of the heroine, daf suoruolo. The attriceviene 'ol inunsecondotempo. Hosem: pre thought that the stories, and stories are "basted evenings around a woman, because women - and it's the same thing in literature - conduconolatramaconpiùnatu ralezza men. If you want, and unlike westani Fordiani, where • just for something to happen - the Indians attack ... - And women under nascondonole Ledi: gence, while men are fighting. If I make a Western, I would definitely • ensure that women are not reatasseroal riparosottole coach. Otherwise I would have the impression that nothing happens on screen. " of the offense and what he did nell'diltime metro 'man remains under the care, ie, in a cellar while Catheriae Deneuve does go ahead with the story. And "last Sunday, Trintignant is hiding all the time, while Panay Ardant ionduee the investigation ... '"The action belongs to the women, so I see things."
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When working on a screenplay, those is its starting point? "Lastoriae ipersonaggi.Avevo a very difficult relationship with my family, pnrticolare with my mother, and only some nnno ago I realized that he made" Jules et Jim "for his farlepiscereeavere approvszione. Love played a role importantenellnvitadimiamadree as "Les 400 coups" for her was like a coltellats in the back, I made "Jules et Jini" hoping to show her that I understood. " "Jules et Jim" was a feminist movie in advance? "I confess that I feel moltoimbarazzatoafare" Jule "et Jim" now, because I would tastidio relationships that could be found between this story, in which the woman is everywhere, and the feminist movement. What he did for "Jules et Jim" is my favorite book was not only the style, incredibly sophisticated in its simplicity, Henri-Pierre Ruche, but also the message of tolerance that emerged between the lines. Throughout his life, the heroine of Catherine movies1, two men who will love my free-will to stop loving her. One of them is German, Jule; other things, Jim, is French. In cottage in which they live is also Sabine, the only daughter of Jules and Catherine, and this gives the film a family atmosphere and sweet. And that was what I liked, "to make a film with a subversive sweetness total," without attacking the public, but enveloping tenderness forcing him to accept, screen Suil situations in the life sentenced avreìibe. "Jules et 'Mm" is a dream we all suffer from the temporary side of our love and this movie just made us dream of eternal love. That's it. "
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I noticed a peculiarity which leaves me a bit 'and I dalpubbico differs from the average audience DESL: ml I identify with the characters weak, never strong. This explains why I never liked the movie with Errol Flynn, the movie Tarzan. I could not identify with the force. I will go further: from a character who represents evil repla ions identify with evil. 4ON perch4 know, maybe I should go by the psychoanalyst -.. If I try now the reasons for this, I think that's because I went to the cinema and saw the film in secret in a state of guilt-the rest works well for books. DetestavoaulesVerneeilibri ocr boys. When I read Madame Bovary "I identified completely with Emma. Had problems with my lady love, to me was forseunpo 'troppopresto, but I was interested. "
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In the movie "The Man Who Loved Women" there are personal memories? "They are less autobiographical than you think. I just wanted to tell cmi a story like the idea of \u200b\u200bchoosing a character alone, without family or friends, who delights only in the company of women. I would not have wanted cynical and cruel. I do not know seduttoriprofessionisti. llovolontariamente chosen an anxious type, secret, which avoids conflittisvolazzando irresistibly from woman to woman, afraid to stop, perhaps for fear of grant - too much space to a single sentiment. Why a deceiver and a man who is afraid of love. And then his ways of being attracted to women and all visual. It 's the movement of the legs, the movement and nothing else. rhythm. The film is constructed around this movirnento. I shall not identify at all with my seducer, but as he could tell women, and it is my sincere sentence: The one I like because it seems out of a Russian novel, the orphan for his smile, the one. " In this story of a great lover there is little nudity. Could you comment on his legendary modesty? "are a erotica dress. the film that touched me most in this sense is "silent" Bergman: Gunnel Lindblom goes to the movies, he sees a couple making love between the seats, then segueilgarzonediunbarsottoil porch of a church, then enters the room 's hotel, he mettelamano under her dress, she takes off her panties and puts them in the sink for several-. It was wonderful! But nudity dij, er him, no, at least in the movies. in literature is different, in film and this is detrimental to all diventaaneddoticoopittoresco history: A4 bay to the shape of the breasts with patches of redness, the pelL.s.
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'I can not shoot only what is modern. This tendency to approve in Godard, because he's instinctive. In twelve films Godard has never made any allusions to the past, even in the dialogues. He ponders: even when a character in Godard spoke of his parents or his childhood. It 'amazing! He is a deeply modern type and the fact that Switzerland has its own importance. But almost all the films that mimic those of Godard are unbearable, because they lack the essential. You can imitate her confidence, but you forget, it is no coincidence, his despair. You will imitate the play of words, but not their cruelty. My distrust of fashion, also extends to everyday language, for example, I could never use the term "level" that runs from one end of the "Cahiers cinema gods." For me cinema and art of prose. This is the beauty of film, but without seeming to, or having the air nothing. This, let me enormously, is the reason why I can not bite down 'I love Antonioni, too indecent. Poetry and aggravates me, if someone sends me a letter, I hasten to throw in the trash. I love the poetic prose,, Iean Cocteau, Jacques Audiberti, Genet and Queneau, but only the prose. The directors that I like all have in common is a shame that, at least on this point makes them look like: Bunuel refusing to shoot the same shot twice, Welles that shortens the "good shots" until they become unreadable, Bergman and Godard who work in importance in a hurry to take away what they do, Rohmer that mimics the documentary, which Hitchcock is so emotional that pretends to think only about money, Renoir pretending to rely on the case. All instinctively reject the poetic attitude. "
Saturday, February 19, 2011
Friday, February 18, 2011
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many roots - Google chat status - Public - Muted nobody wants to say no? http://federicobadal oni.blog.kataweb.it / snodi/00971/hackatho n-the-guardian-new-tool-to- journalists. html
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also interesting experiment tried
Fluffbox , which creates a collection of tweets, photos, and video post. This collection is made available to the editor as a box that can be inserted into the post. The team worked
Glyn Wintle, a freelance journalist working with the BBC.
Most likely the Guardian organize such an event again next year. I suggest to all the Italian software house to be there. If you want to have a better idea of \u200b\u200bdetail, the tweet of the event can be found all over
here, with the hashtags # GSxSW.
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the web players through mergers and acquisitions, seeking to secure material for the many alternative distribution channels, pay-flowered in recent years on the network.
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this is coupled with the issue of in-depth news .. as you are willing to pay for useful and meaningful advice on the http://www.repubblica.it/supplementi/af/2011/02/14/primopiano/006komprati.html