Sunday, February 20, 2011

Mechanical Clock Slows Speed Of Light

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In the movie "The Man Who Loved Women" there are personal memories? "They are less autobiographical than you think. I just wanted to tell cmi a story like the idea of \u200b\u200bchoosing a character alone, without family or friends, who delights only in the company of women. I would not have wanted cynical and cruel. I do not know seduttoriprofessionisti. llovolontariamente chosen an anxious type, secret, which avoids conflittisvolazzando irresistibly from woman to woman, afraid to stop, perhaps for fear of grant - too much space to a single sentiment. Why a deceiver and a man who is afraid of love. And then his ways of being attracted to women and all visual. It 's the movement of the legs, the movement and nothing else. rhythm. The film is constructed around this movirnento. I shall not identify at all with my seducer, but as he could tell women, and it is my sincere sentence: The one I like because it seems out of a Russian novel, the orphan for his smile, the one. " In this story of a great lover there is little nudity. Could you comment on his legendary modesty? "are a erotica dress. the film that touched me most in this sense is "silent" Bergman: Gunnel Lindblom goes to the movies, he sees a couple making love between the seats, then segueilgarzonediunbarsottoil porch of a church, then enters the room 's hotel, he mettelamano under her dress, she takes off her panties and puts them in the sink for several-. It was wonderful! But nudity dij, er him, no, at least in the movies. in literature is different, in film and this is detrimental to all diventaaneddoticoopittoresco history: A4 bay to the shape of the breasts with patches of redness, the pelL.s.

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